Monday, November 1, 2010
To begin this review on a major tangent (but stick with me - there's a point to be made)...
It may surprise many to know that I am not, in fact, a particular fan of the iconic zombie flick, Night of the Living Dead. That's not to say I don't appreciate the movie - NotLD did, after all, set the template for the bulk of zombie media to follow. I certainly regard the movie as culturally, historically and socially important, in much the same way as I regard The Buzzcocks as being important to the development of punk music, or Renoir as important to the acceptance of Impressionism (that is, from a purely academic point of view). And I'm a huge fan of all of Romero's other 'Dead' films, But I've never really enjoyed NotLD.
I ascribe this major personal shortcoming to two things: firstly, that by the time I watched this movie for the first time (as a teenager, on VHS, in 1988 or thereabouts), I'd already seen so many cruddy rip-offs of NotLD on late-night TV that everything about this movie seemed old and tired. Secondly, to a teenager living in Melbourne, Australia, in the late 1980s, any '60s/U.S.-centric social or political commentary underpinning the movie simply didn't register. It's only as an adult that I've come to truly appreciate and understand all that Night of the Living Dead represents - but sadly, again, any genuine enjoyment of the movie purely as a piece of dark entertainment seems beyond my grasp.
So, what has any of this to do with my review of Joe Kane's behind-the-scenes look at Night of the Living Dead?
Just this: given that a non-fan of NotLD like myself was virtually unable to put down this fascinating tome - I devoured it in a single sitting, in fact - I have no hesitation in recommending Kane's book not only to zombie fans in general, but to anyone who simply enjoys a truly engrossing non-fiction read.
The book certainly seems to have been exhaustively researched, and Kane effortlessly infects the reader with his own obvious passion for NotLD without intruding overly upon the narrative. The author also strikes a near-perfect balance - often difficult to achieve in such guides - between detailing the production details of NotLD (as well as those of co-creators Romero's and Russo's subsequent movies), and delving into the personal development and lives of those responsible for the finished product, as well as clarifying some of the issues surrounding the movie that had previously drifted somewhat into the realm of urban legend (such as the matter of the 'lost copyright' of NotLD, and the nature of the wrangle between Romero and Russo over ownership of the 'living dead' moniker).
In short, Night of the Living Dead: Behind the Scenes of the Most Terrifying Zombie Movie Ever is an important, engrossing work, and one which informs and - I'm happy to say - entertains on many levels. A must-read publication, available internationally through Amazon.com.
'Justin Timberlake: Hot Corpse Couture!'
'Britney Spears: Brit Snacks on Fans!'
'Lindsay Lohan: Career Rises from the grave!'
Hot on the heels of his brilliant Zombie Handbook comes Rob Sacchetto's Zombiewood Weekly: The Celebrity Dead Exposed, an amusing little exercise in satirical gore. Presented as an issue of a gossip mag, ZW is packed full of 'zombified' celebrity portraiture - from Elvis, to George W. Bush, to O.J. Simpson - complete with news snippets (penned by co-contributor Jeremy Wash), and even advertisements aimed at an undead readership. Sacchetto's ability to produce clearly-identifiable likenesses of famous faces, even through layers of advanced decay, is uncanny, and has deservedly earned him a character role in Jonathan Maberry's latest zombie novel, Rot & Ruin.
ZW is a fun publication certain to appeal to that section of zombie fandom who enjoy their zomcoms and zombie walks. And gossip mags.
(ZW is distributed in Australia by Scribo).